1998 · Bonzai Records

Push — Universal Nation

"Mike Dierickx’s Belgian trance anthem, with its versions kept distinct."

The Story

Why this record matters

Universal Nation is a 1998 Push release on Bonzai Records. The original Belgian record was titled The Real Anthem and paired Universal Nation with Prisma. Push is Mike Dierickx’s project, also connected to his M.I.K.E. identity. For this archive, the record is a starting point for the melodic side of Belgian trance: its original version and later remixes offer different ways into the same composition.

Origins

How it came to exist

In an interview on Dave Pearce’s website, Dierickx recalled making the track in four hours on a Wednesday afternoon. He described it as a spontaneous session rather than a formula. That recollection does not establish a precise recording date. The original Belgian catalog editions checked here are from 1998; we do not treat a reported earlier studio date as a verified commercial release.

Production

How it was built

The production credit belongs to Dierickx; Ferry Corsten, Oliver Lieb, DuMonde and Gai Barone are remixers on separate editions. Compare the original with one named remix at a time. The release listings identify versions, but they do not document a complete equipment list or a bar-by-bar studio reconstruction. We therefore leave those claims out.

Reception

What happened when it landed

Armada Music Publishing identifies Universal Nation as the breakthrough for the Push name. Bonzai’s own retrospective also treats it as a defining release in the label’s catalog. Those sources support its place here without requiring unsourced sales totals, chart rankings or claims that every classic-era DJ played it.

Key Mixes

The versions that matter

Release and version questions

Who made Universal Nation?

Push, the project of Belgian producer Mike Dierickx, also known as M.I.K.E. Ferry Corsten and Oliver Lieb made separate remixes.

Was Universal Nation first released in 1997 or 1998?

The original Bonzai catalog editions verified for this guide date to 1998. A 1997 commercial original has not been verified; a recording recollection is not a release date.

What is The Real Anthem?

The title of the 1998 Belgian Bonzai release, catalog BR98137, pairing Universal Nation with Prisma.

Research & sources

These references support the factual claims on this page. Editorial interpretation is identified as such; a source link is not an endorsement by its publisher.

  1. The Real Anthem: original Belgian release

    MusicBrainz (community-maintained release catalog)

    Edition-specific catalog evidence; not an independently inspected original sleeve.

  2. Universal Nation: 1998 Bonzai remix edition

    MusicBrainz (community-maintained release catalog)

    Edition-specific catalog evidence; not an independently inspected original sleeve.

  3. Universal Nation ’99 Remixes: BR99151

    MusicBrainz (community-maintained release catalog)

    Edition-specific catalog evidence; not an independently inspected original sleeve.

  4. Universal Nation — Gai Barone Remix

    Bonzai Progressive

    Label retrospective and 2017 remix release.

  5. M.I.K.E. / Push interview

    Dave Pearce

    Firsthand recollections of production and project identities; interview by Daniel Slipper.

  6. Mike / Push biography

    Armada Music Publishing

    Belgian identity, trance/techno connection and signature tracks; promotional superlatives and totals not repeated.

Legacy

What it changed

The 1999 remix releases and Bonzai’s 2017 Gai Barone edition show how the composition remained in circulation. The 2017 release is a later reinterpretation, not evidence for a different original artist or year. The ’99 title likewise identifies a remix campaign rather than the first release of the composition.

Did You Know

Trivia

  • The Real Anthem is the title of the original Belgian release, not a second producer credit.
  • Prisma is the companion track on that release.
  • A remix or remaster collection date does not replace the original 1998 catalog year.
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